You know would be really helpful for me would be to include the post under the draft that the weaving appeared in. I love these drafts!

I recently competed in my first Fleece to Shawl competition and would love to use a draft like this next year. I don't have weaving software maybe a post about software??? Is it unethical to use these drafts? I'm sure anyone using them would give credit to you but thought I would ask first. I don't have weaving software and just completed my first Fleece to Shawl competition and am wondering if these drafts can be used for next year if I give credit to you.

I like the simplicity of the treadle and single color weft. I don't want to do anything unethical so I am asking - thanks! It is perfectly acceptable to use any of the drafts you find on this blog. They are all in the public domain and we are thrilled when a weaver finds something of interest.

Post a Comment. Favorite Weaving Drafts. Email This BlogThis! Subscribe to: Posts Atom. Sue Robertson's draft for Calcutta towel see the story here. Dee's supplemental warp scarf draft see scarves and post here. Jackie's plain weave, basket and twill for chenille scarves see blog post here.In my last post we looked at twills on 4 shafts, and here we are leaping forward to eight in a single bound.

What about five, six and seven? If you have an 8-shaft loom, then several options are open to you for developing your twill repertoire. In this post I am going to start by considering twill blocks. What do I mean by separate blocks? In this context I mean that you can divide your shafts into two groups.

We usually consider shafts to be one group and shafts to be the other. You can then choose to thread some parts of your warp on shafts and other parts of your warp on shafts Because these groups of shafts are quite distinct i. This means that you can weave two different 4-shaft twill patterns at the same time. In this draft I have used a straight draw throughout, but the first and last parts of my warp are threaded in a straight draw on shafts while the middle part is threaded in a straight draw on shafts I have chosen to weave a warp-faced twill in the centre stripe, lifting three shafts at a time from that group, while the outer edges are woven with a weft-faced twill.

I am only lifting one shaft at a time from that group. The tie-up shows that I only need four lifts to complete the twill progression.

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This is because I am weaving the basic 4-shaft twills: I just happen to be weaving two of them! Another option is to alter the lifts so that I vary which areas are warp-faced and which are weft-faced. In the following example, I have 8 different lift combinations in the tie-up and am using the treadles in two groups of four. This is a similar pattern to the way the shafts are used in the threading and together they give a checkerboard of twill squares.

One of my favourite things to do with twill is to shade the liftplan from a warp-faced through a balanced to a weft-faced fabric. And with two blocks it is possible to shade each block independently, which gives a wonderful effect of movement.

However, the number of distinct combinations required can be expensive in terms of treadles. The draft above uses 12 treadles, which is the smallest number I have been able to get away with.

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Of course, if you are happy to change the tie-up as you go then be my guest! In general, if you find that your appetite for treadles exceeds what you have available, then the challenge is to find other ways to introduce the excitement you are looking for into your designs.Every weave structure we create on a shaft loom is a product of two elements: the sequence in which we thread the warp ends and the sequence of lifts we then use to manipulate those warp ends.

We have already considered some of the options for threading 8-shaft twillsand we have looked at the different ways in which we can tie up an 8-shaft loom to create different twill lifts. Now it is time to put those lift combinations into action by looking at the ways in which varying the treadling affects the design of our fabric. This would give me the classic diamond shapes we associate with a point twill. The slight asymmetry we have in this tie-up means that we are seeing a little more warp than weft on the face of this cloth, while the back of the cloth will have a little more weft than warp.

Comparing these two treadling sequences, we can see that the first eight lifts are exactly the same. In fact, the straight treadling simply repeats the first eight picks of the point treadling continuously.

This means we get the first half of a row of diamonds over and over again, making a chevron or zig-zag pattern. We can immediately start to explore variations, then, by stretching and combining elements of the straight and point treadlings much as we did with our threadings. The following draft starts with a point, which is then extended on one side to create a little straight section. The result is a double row of diamonds followed by a row of chevrons.

block twill weaving draft

Another way to vary these elements is to advance them in small steps. In this example I have treadled from 1 to 6 and back to 3, then from 2 to 7 and back to 4, and so on. As the apex of the point moves across the twill progression, we see a lovely movement in the diamonds from warp-emphasis to weft-emphasis in one direction interleaved with the opposite shift in the other direction.

block twill weaving draft

Applying a similar treatment to the straight treadling also produces a gradual shift, this time in our chevrons. You may have to lean back from your screen and half-close your eyes to see the full effect! Can you see how the effect is visible on two different scales? First of all, each individual pattern line is part warp, part weft in a different mix. Then stacking up these pattern lines we get a larger scale effect of a warp-faced zig-zag alternating with a weft-faced zig-zag.

In the drawdown above I have shown two full repeats of the treadling to make this more visible. I happen to like large scale designs and find that advancing threadings and treadlings are a very fruitful resource!

We have now established quite a repertoire of treadling elements we can use with a single tie-up: straight sequences, points, extensions and advances. By putting these together we can build an enormous variety of designs.Last Updated on April 1, The design produces a twill sampler. Each color block is threaded to a variation of twill drafts, separated by a contrasting border.

Weaving Draft. The draft shows 4 different treadlings. Many other treadling combinations are possible. Try these out, as well as experimenting with your own, to create your own unique towels for your kitchen. After cutting the warp from the loom, I sewed the cut ends with a zigzag stitch, to prevent fraying while the project was washed.

I then put the warp into the washing machine and washed and dryed it through a normal wash cycle. After drying, I steam iron the complete warp length. Because handwoven fabrics have a tendency to fray, I zigzag all edges before I do cutting. The hem is then turned under and sewn with a straight seam. And again, turned under and sewn with another straight seam to finish the hem edge.

Hand Weaving Books Weaving on a Little Loom Everything you need to know to get started with weaving, includes 5 simple projects. I've had an interest in weaving, looms, yarns and textiles since I was a small child.

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I learned to knit, crochet, sew, do needlepoint at my mother's knee. My grandmother was a Saami from northern Norway. I am very interested in studying more about tradtional Saami and Finnish style weaving and handicrafts. Paivi Suomi View all posts by Paivi Suomi. Skip to content.

Author: Paivi Suomi I've had an interest in weaving, looms, yarns and textiles since I was a small child. Previous Previous post: Spider Silk : aa Next Next post: Selkirk Spinners: aa This website uses cookies to improve your experience.

My floor loom in on new handover twill block

We'll assume you're ok with this, but you can opt-out if you wish. Accept Reject Read More. Necessary Always Enabled.Have you ever wondered how many variations of twill designs for weaving there are? It is such a diverse family of weaves that, even if you never use more than four shafts, you are unlikely ever to run out of options! One of the most useful ways to explore this world of twills is to weave a twill sample blanket or gamp.

By mixing a selection of threadings and treadlings you will create your very own handwoven pattern directory. First you need to plan your threading. For a classic gamp, this will consist of equal-sized blocks, each roughly 2 inches wide in the reed. Making each block a multiple of 4 ends is sensible; making them a multiple of 12 ends is even better! In my piece, I have chosen 48 ends, so I can easily use threading repeats of 4, 6, 8 or 12 ends.

To choose your twills you can browse through any weaving reference book or use the online resources at handweaving. I also decided that I would use a 4-end stripe of straight twill as a border and to separate the pattern blocks. Altogether my threading consists of ends: the full draft is available here. I decided to keep my focus on the pattern and so my twill blocks are all the same color, a light blue-green, with a pale gray stripe for the borders.

When you are setting up your loom with a mixed threading like this, it is important to stay awake! It is all too easy to forget which block you are in. I approach my threading in groups, selecting the heddles I want for a whole pattern repeat and arranging them into roughly the shape they make on the page before I start.

Then, I take hold of the appropriate number of ends — 4, 6, 8 or 12 in this case — so that when I run out of heddles, I should also have run out of ends and vice versa. Then start to weave — beginning with a border stripe if you are using one — by treadling or lifting the same sequence as you used in the threading.

So for a straight twill, you threaded now you are going to weaveusing the tie-up as your key. I wove my piece with 4 picks for the border stripes and 48 picks for the pattern blocks, so that the threading and treadling were exactly the same.

block twill weaving draft

Again, I chose to weave with a single weft color — a light yellow-green this time — and my pale gray border yarn. This means that the different appearance of each block is entirely due to the pattern of interlacement, and it is fascinating to see just how much diversity there is!

Once you have worked your way through the threading sequences, you can start to experiment with other lift combinations. I particularly like mixing twill and plain weave lifts, so that is what I did for a further four pattern blocks see the full draft for more details.I underestimated how exciting the process of weaving a sampler can be.

Some of the tie-up and treadling combinations gave me unexpected results which gave me ideas to try out a few of the patterns on a larger scale. I would recommend using a dark color for your warp and a light color for your weft, or vice versa, so that you are able to clearly see the pattern you are weaving. You might also vary the warp thread color to distinguish the five threadings even further from each other — say black and charcoal or dark blue so that you still get a good contrast with your choice of weft threads.

3 Creative Ways to Use Twill Blocks

I selected two weft colors to use alternately as I went from one treadling sequence to the next. And finally, you can see that I also used a length of orange yarn to indicate where I changed my tie-up. I got to thinking about my Wolf Pup, which is a direct tie-up loom.

This means that each shaft or harness is attached to a single treadle. Table looms are similar in concept but use hand levers.

Free Weaving Patterns & Drafts

To weave patterns that require multiple shafts to be raised at once, you press down multiple treadles or levers at one time. I got to thinking about how tying up a single shaft to a single treadle and using the direct tie-up technique of pressing down multiple treadles within the sequence might enable someone with a four-shaft loom with only four or six treadles or four levers to weave more complicated patterns.

You will see the tie-up in this draft suggests that you need eight treadles. If you have them, great, but if you have fewer, simply tie-upand when the draft indicates that you need to lift more than one shaft, use both of your feet, or hands in the case of a table loom, to accomplish this.

Draft 4 [ Download a ZIP file of the drafts in WIF format, with their accompanying images, ] These samples showcase five common twill threadings across a single warp.

The threading reads left to right and the treadling reads bottom to top. This will match the woven fabric in the photos. Both sides of your cloth can be interesting and so different from each other. You may find a new favorite pattern. Mine is found in draft three, the third treadling sequence of the point twill threading. It reminds me of a happy little flowerbed. The best thing about weaving a sampler is this sort of random discovery. Why not warp up your loom and give it a try?

Happy Weaving! You can find Melissa designing weaving projects for the Schacht blog and E-news. Melissa is also online at www. Orders will be processed within 24 business hours of receipt, and an order confirmation with estimated ship date will be sent.

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Category: Weaving Drafts – Computer

Your projects all in one place. Look back at your fantastic weaving projects, add new notes and reference the notes you already made. This will show all your drafts. This includes drafts you have created and those who have bookmarked. Your fiber stash all in one place. Look back at your fantastic fiber, add new notes and reference the notes you already made. I'm not sure if this is the most fitting group to start this conversation in, but it seemed like a good place to start!

I am working with a client who wants to create a diaper weave blanket, based on a 2X2 Herringbone see draft. However, she is hoping to enlage this pattern, like this although not chevron-- this is just to show the scale. This seems like something that could only be achieved through double weave, possibly, but I am working with dobby looms that are not capable of doing double weave, as they are set up.

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My question is-- is it possible to create a large scale design like this, using twill blocks? I'd love to chew over this problem with people. I appreciate any and all brainstorming! I have 14 harnesses to work with. With 12 shafts, you can get 3 blocks. In the pic below, what you already have is shown in the red bottom square; the green square is more-or-less three times as large. As you have 12 shafts Try adding some extra tiedowns - one example:. To make it quicker, I changed your treadling to "tromp-as-writ", but I'm sure you can manipulate that later.

Thank you both for your replies! I think the twill bocks might be what I'm looking for. It was so nice of you to take the time to draft up some possibilities for me. What I'm hoping to do is to create the herringbone-diamond pattern but blown up, using blocks, rather than just extending the weave across the fabric.